The Prague-born soprano Karolína Plicková was simply amazing as Cinna! The quality of the voice, the depth of the dramatic interpretation and the safety of her technique were marvelous.
Anaclase - Le Musique du Jour
G. F. Händel - ARIODANTE Salzburger Landestheater
Karolina Plicková, as the princess Ginevra sang with vocal security a rich timbre, with broad phrasing through to the highest register but with agile coloratura. As an actress, Plicková is a great tragedienne, always restrained by knowing understatement.
B. Marcello - ARIANNA Salzburger Landestheater
Supreme in dramatic tension, a luminous energy in the voice with well sustained line and perfectly judged characterisation uniting to create a fantastic performance…the director focuses the light of the evening on the title role: Karolina Plicková succeeds in creating a thoroughly believable figure. The entirely natural dramatic performances is combined with the vocal qualities of her fine lyric soprano. Plicková can draw supreme vocal lines on a single breath, weaving coloratura without unnecessary aspiration; she masters the stylistic requirements of the complex recitatives and convinces throughout in vivid characterisation. Her performance meets every demand placed upon it.
W. A. Mozart - LUCIO SILLA Buxton Festival
Czech soprano Karolina Plickova was making her UK debut and created a strong impression as Cinna, whose role was to support Cecilio and to end up involving himself in the fight against Silla. Plickova was consistently stylish and passionate in a role which seem rather under-written.
J. S. Mayer - BELLE CIARLE E TRISTI FATTI Die Internationale Simon-Mayr-Gesellschaft
Karolina Plicková triumphs with an intense aria ranging from low legato line to high coloratura. She convinces brilliantly.